故事男主角一之濑海是一位天才钢琴少年，小时候阿海凑巧弹奏一台位于森林的被废弃特殊钢琴，除了阿海以外无人能够奏响这个钢琴，通过这台特殊的钢琴阿海锻炼出了钢琴天赋，其弹奏力道比一般人要强，甚至是可以弹断琴弦，而因为钢琴阿海结识了因车祸结束演奏生涯的前天才 钢琴师阿字野壮介，阿字野壮介也成为了阿海在钢琴方面的师父，同时阿海也遇到一生的朋友和对手雨宫修平——
This 1992 Japanese film told a scientist the story that he set out to create a new one; Super Adam and Eve ;, People who cannot be controlled by emotions. Of course, the final result is not exactly what good doctors expect. Comments from imdb: this modern story of trying to build biology is one of the best; Terror ; Even if this is not a horror film, it is a completely different film. Of course, it is on my short list of all great movies. This film was introduced to me, and he told me:; I have this film, which is probably one of the best you have seen. It will move you, touch you and make you think, but if I tell you what it is and tell you how it works, you will feel that this is the most stupid thing on the surface, and you will not look at it; I asked him curiously what he meant, and he said:; This is a Frankenstein story with a very stupid edge, but it takes advantage of its advantages" My ears pricked up. I was a trusted person. I took the tape and looked at it. I was blown away. The plot tells of a crazy scientist who tried to create a new Adam and Eve after a suicide plague that ravaged the world. Being confined in the laboratory, his experimental results are different from what he or we expected. Some are stupid (bolts on the neck, wrestling movements...), all of which are touching and thought-provoking. I can't recommend this movie enough. If you are willing to accept the terms of this film and allow it to tell a story, then I urge you to look for this film and watch it. This is an undiscovered gem that will always be with you. 15 out of 10, then some. 10/10 is also called 10; The Last Frankenstein;, This is an extraordinary and well-made horror film. Director Takeshi Kawamura used Mary Shelley's novel as a springboard to explore various and fascinating themes such as love, desire, suicide, mass hypnosis, sex, alienation and jealousy. Although this film is full of subtext, its shooting is also amazing, full of atmosphere and details. All the performances were amazing. Kawamura's sensitive handling of the strange and delicate relationship between the characters led to a tragedy full of emotion and anxiety. The scene of this confused and troubled monster walking through the misty forest at night is unforgettable and impressive. This is a wonderful montage in the style of family film. The more curious characters in the film spent a valuable afternoon on the beach. Kawamura has created a sympathetic visual poem that has been almost invisible since Todd Browning's classic Terror and Sadness; Freaks ;. Intelligence, sensibility, tragedy and truth are absolute gemstones. 9/10
四年の月日が流れ、相良は今、横浜でナイトクラブ“スカーレット”を営むかたわら“逃がし屋”をやっていた。そうしたある日、探し続けていた秋子がグエンと名のる男と店にやって来た。グエンの祖国では革命が起り、直ぐ帰国しなければならない彼は、相良にシンガポール行きの船を捜してくれと頼みにきたのだ。冷たい目で秋子を見つめる相良、むろん彼は断った。この気配を、本国からの反グエン派の手先の佐伯は逸早く察し、警察も密出国幇助罪で相良を調べ始めた。そんななかで秋子は毎晩スカーレットに通い、夫の密出国を助けてくれとたのむのだった。やがて捜査状況も一段と厳しくなってきた。かたくなになっていた相良も今は、秋子の幸せのためにも“船を捜そう”とグエンに約束した。感激したグエンはここではじめて告白するのだった。四年前秋子をひいたのは自分の車で、そのため秋子は子供を生めない身体になってしまい、相良との夢が破れた秋子はグエンの求婚を受け入れたのだ。－－ということをしゃべった。そして今二人の結び付きの固さを見て、秋子への想いを断ちきり、相良は二人の幸せのためにと是が非でもシンガポール行きの船を見つけようと心に誓った。かけずり廻ってやっとつかまえた船の中でグエンの脱国を阻止しようと待ち構えていた佐伯らと、相良は激しい戦いを展開し、ついに佐伯を倒した彼は、無事グエンと秋子を日本から脱出させてやったのだった。その夜、港には深い霧がたちこめていた。
